Las óleos de todo Jan Toorop
Choice ID Image  Painting (From A to Z)       Details 
53332 Desire and Satisfaction  Desire and Satisfaction   mk229 1893 oil on canvas 1893 76x90cm
54278 Shell Gathering on the Beach  Shell Gathering on the Beach   mk235 1891 Oil on canvs 61.5x66cm
53316 Soul Searching  Soul Searching   mk229 1893 Watercolour 16.5x18cm
54277 The Dunes and the Sea at Zoutlande  The Dunes and the Sea at Zoutlande   mk235 1907 Oil on canvas 47.5x61.5cm
92962 The new generation  The new generation   1892(1892) Medium oil on canvas Dimensions 96.5 X 110 cm (38 X 43.3 in) cjr
34007 The Three Brides  The Three Brides   mk87 c.1892/93 Pencil,Black and coloured chald on paper 78x98cm Otterloo,Rijksmuseum Kroller Muller
40832 The Three Brides  The Three Brides   mk156 1893 Oil on canvas 78x97.8cm
21545 The Three Brides (mk09)  The Three Brides (mk09)   c .1892/93 Pencil,black and coloured chalk on paper,78 x 98 cm Otterloo,Rijksmuseum Kroller-Muller
22315 The Young Generation (mk19)  The Young Generation (mk19)   1892 Oil on canvas.96.5 x 110 cm Museum Boymans-van Beunigen,Rotterdam
54279 Three Women with Flowers  Three Women with Flowers   mk235 c.1885/8 Oil on canvas 110x95cm
23154 Trio Fleuri (nn02)  Trio Fleuri (nn02)   1885-1886 Oil on canvas 43 5/16 x 37 3/8'' Collection Haags Gemeentemuseum,The Hague
Jan Toorop
1858-1928 Dutch Jan Toorop Gallery He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.



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